Categories
Art Poetry

The Doctor Tells Me

By Tillie-Rose Wallis

‘Doctor Tells Me’ – a poem composed in unison with the creation of the accompanying painting

The doctor tells me ‘everything is normal’
Yet I am still tested, poked and prodded
I am still consumed by pain

The words of comfort believed; based on a knowledge I myself do not possess
The doctor tells me ‘come in with a full bladder’
Gulping down water for my own bodies sake
The doctor tells me ‘change behind the curtain’
That cold, wet gel pressed onto my stomach, spread by the hand of a stranger
With sounds of beeping monitors and surging liquid
The doctor tells me ‘Just a little bit of pressure now’
Whilst greys in contrast dance across the screen
A screenshot is taken
The doctor tells me ‘over 20 growths’

The doctor tells me ‘everything is normal’
Yet I am still tested, poked and prodded
I am still consumed by pain

The doctor tells me ‘remove your shirt’
Unknown hands on my warm flesh, pushing and squeezing
Permanent marker makes shapes on my skin
That cold, wet gel pressed onto my chest, spread by the hands of a stranger
The doctor tells me ‘you’re young, under 25’
But I still feel It there, a beacon of reminder

Featured Image – Tillie-Rose Wallis

Categories
Art

May Thomson

Art has always been my stopping place whenever I feel I have something I desperately need to say. Recently, a lot of my work has been studies of faces (although a lot of my pre-university work explored literary texts and book covers too…) but I am moving into thinking more about childhood, loss, and memory, which is what the painting of me as a child with my father – inspired by the final lines of Hughes’s ‘That Morning’ – represents. I am often most struck by warm, vibrant palettes, and usually work with coloured pencils or Procreate. My favourite painter is Shannon Cartier Lucy, whose works – charged with a sense of impending disaster – inspired a lot of my early painting process. 

Categories
Art

Orlando Bayliss

I am a first year history student at Durham. From a young age I have loved to draw and paint; capturing the human form, particularly in portraiture, has been my main interest. 

My work is mainly inspired by 19th and 20th century realists like Sargent, Zorn and Freud. I am in awe of their ability to capture the sitter with what appears to be such effortless (but in reality, painstaking) brushwork. By attempting to replicate their respective approaches I am able to learn and improve enormously. I am fascinated by the deeply personal aspect of portraiture which allows one to capture an individual in a way that no photograph can; the hope of achieving this makes me want to keep improving.

After leaving school, I wanted to focus on more classical methods like drawing from life and using limited colour pallets for my paintings. During my gap year, I studied on a short course with the Edinburgh Atelier of Fine Art which helped to formally become familiar some of these techniques.

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Art

Zoe Woolland

Emily Hough

In the last few years of painting, I’ve definitely leant towards painting portraits. The more you paint faces the more you learn about proportions and how the features of the face are structured. I looked towards painting on rougher surfaces with oil paints because the process can be a lot more fun and playful. Some of my previous pieces have been done on cardboard and even metal, adding creative textures to the work. Oil paint is typically what I’ve loved to use, especially when doing portraits because it allows real accuracy of tone and shadow. A lot of my inspiration is taken from phases of Covid, including a lot of imagery of mask wearing. In the future I’m hoping to create more colourful, brighter pieces and maybe giving landscapes a go!

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Art

Sophie Holcroft

Sophie Holcroft

I am a third-year student studying Liberal Arts. I am interested in finding beauty in decay – the period of time after something has gone past its ‘use-by-date,’ both with people and nature. A common theme throughout my work is dried-out artichokes; when they decayed, the leaves turned silver, and I found beauty in this and the possibility of them being perceived as desirable again. I am also fascinated by traditional and contemporary ‘memento mori’ symbols and adopted the message they hold but also flipped it on its head by focusing on rebirth and rejuvenation. I enjoy photography, oil painting, etching, and having a 3D element to my work.