Categories
Creative Writing

A Feline Reminiscence in Winter

By Matthew Dodd

It was early in the morning, and for the first time in the year, snow was falling.  Plumes danced down through the air, scattering themselves across the sky and spreading out into a soft white net over the garden. Once vibrant flowers were now dulled to homogeneity. Where leaves once sat, crystals of ice now staked their claim. As the sun rose over the garden, beams of light glanced upon the field, painting a rather pretty picture of winter. The garden made an all but perfect tapestry of the season and its associated joys. That was if one could exclude the unmissable exercise in laziness who made his temporary abode in the middle of all this. 

Angelo splayed himself out across the snow-covered lawn, a black smudge on this otherwise undisturbed canvas. Angelo – as you may have ascertained – was a cat, and was therefore accustomed to taking his time when waking up. And yet, even by feline standards Angelo was a lazy cat. He had been known to sleep for near on twenty straight hours and, on one occasion, after a particularly filling meal, had spent an entire week unconscious. However, on this particular morning Angelo struggled to keep a hold on his doze. The incessant snowfall was proving to be rather the impediment to Angelo’s lie-in. His arms gesticulated wildly in a futile attempt to tire himself out again. When this attempt proved fruitless Angelo shook his head and began to wake. He opened his eyes slowly, one at a time – in case any larger cats were waiting in his immediate line of vision – and was slightly confused to find that the world had gone all white. His amber eyes flitted around his surroundings, processing the new information. The world had indeed gone white. That was if it was the world: the living world that is. Angelo jumped up at this. For a cat, Angelo spent a lot of time contemplating death. He often wondered what would happen to him when he eventually ceased to be. In all honesty he tended to believe that death would never happen to him, he was far too special for that.

 As he considered this, Angelo became aware that the white of the world seemed to be moving downwards. His eyes narrowed. That certainly was strange. The world only ever moved like this when the great showertime came. Angelo then realised what was afoot. He was not actually dead, as he’d been quite convinced, rather it was that time of year at which the clouds started falling from the sky. Angelo wasn’t quite sure why the clouds did this, but he supposed they had rather a good reason. Angelo knew this time of year well, this being his tenth experience of it, and had come to treat it as a friend, a reminder of everything he was and had been. Humans are often surprised to learn that cats are well aware of themselves and their own temporal position but, as Angelo had often noted, humans were surprised by most things. He was up on his feet by now and, as he began to move, slowly became aware of his situation. This was the Garden. That’s what the humans called it (comprehension of the English language was another feline skill that humans seem to forget). Ah yes, Angelo remembered now. He often liked to visit this spot, this very spot in fact, to take one of his naps. In fact, now that he thought about it, he’d taken one such nap very recently. In fact, now that Angelo had thought even more about it, he failed to remember very much of what happened between his last visit and the present. Lost in his train of thought, Angelo had neglected to note the tree – into which he had just walked. Despite his stature Angelo had somehow caused the tree to shake, which caused a large snowfall atop his head, in turn inciting a helpless mew of despair. He shook virulently. Angelo couldn’t entirely recall his position towards this cloudfall. 

Upon further examination of the garden, Angelo deduced that he’d only been asleep for at most half a night since the sun was only now rising over the garden fence. That was good for Angelo. This meant that he could go and be there to watch his human wake up. He loved his human more than anything in the world. Even more than he loved napping. Angelo couldn’t remember a time when he hadn’t loved Human. Human was to him what the earth was to the moon. Both entirely wrapped in their own existence yet eternally dependent on the other. The Moon rises and falls with the Earth. The Earth may even one day be able to be without the Moon’s complementary being, but the Moon will always need the Earth, and in the same way Angelo will always need his Human. He slumped down against a tree and let memory flood over him. Memories of Human and Angelo together, Human and Angelo apart, and Human and Angelo reunited. Years stretched out in Angelo’s mind, with this Christmastime (yes, Angelo recalled, that’s what Human called it) being the one constant. Other humans had left Angelo’s Human over these years. Angelo had slept on the laps of countless others during the cold months. But Human had always been there. Angelo had even seen Christmases when Human was alone, and Human was sad, and so Angelo was also sad. But Angelo had watched Human find new humans, and be happy again, and that made Angelo happy. Angelo remembered, there was another human that spent some three Christmases with Human. It was a human with brown hair and big brown eyes who used to spend hours with Angelo, stroking him in the spots behind his ears where only his Human knew. Whatever happened to them? Angelo struggled to remember. In fact, he struggled to remember many details these days. Angelo was getting old, he didn’t have time to remember all the sad things. He preferred to spend his thoughts on the happy times he and his friend had shared, rather than dwelling on those awkward in-between times. Human had smiled and laughed in the company of others, and there were times when Human hadn’t. What was the point in trying to dissect the sadness when you could be enjoying the happiness? Angelo slunk forward through the garden towards the house’s back entrance. As he crept, he caught sight of a robin sitting on a tree-branch, rather content with the leaf he was picking at. It pricked its head up and peered at Angelo before returning to its leaf. Angelo made to greet the robin, only for it to fly away, leaving its leaf behind. How fickle and rude that bird is, he thought to himself.

Categories
Creative Writing Uncategorized

Pity the Girl in the White Skirt 

By Samara Patel

He’s leading her on. Playful touches on her arm when she says something silly, hand on her back leading her through a crowd. Pinning her down with those golden-brown eyes of his, saying that her hair looks pretty, or touching the hem of one of those athletic short white skirts she always wears, just to say he loves the material. And he can’t possibly ignore the way she blushes from her cheeks across the tip of her nose whenever he turns his attention to her.

Leto and Zuri clearly got along well from the start. At any restaurant, college bar, or kitchen table, they would find themselves sitting next to each other. Zuri always sits down first, her gaze darting over to Lucas every so often, until he pulls up a chair next to her. That small gesture always makes her smile, but she tries to hide it behind her hand every time.

We all like Zuri, ever since Emile brought her into our little uni friend group a few weeks after their classes started. Zuri’s very sweet and quite naive at times, shy in dress and manner, subtle and quiet and graceful in all things. She usually dresses in white, oversized dresses and jumpers, her black butterfly braids falling around her face. In contrast, Leto is an English student who, as all his friends know, has not read a single book on his course list. Frustratingly, he manages to coast by with good grades when all the rest of us are stressing through formatives. His blonde hair is wavy around his face, the back of it nearly brushing those collared shirts he always wears. He has a gorgeous girlfriend back home in Leeds, who he even very briefly introduced us to. I don’t even know her name.

We’ve all talked about them. I mean, okay, I know it’s bad to talk about people behind their backs, but his flirtation was far too obvious and almost cruel to the poor girl. Like the other day when we were walking back from the library after a long study session, and I was chatting with Emile and her boyfriend Ben. Leto and Zuri were walking ahead of us, a bit apart from the group. I’ve talked to her a few times, of course, idle chit chat, but we don’t really have much in common. She seems to exist in an odd limbo where she gets nervous around Lucas like you’d get nervous around someone you have a crush on yet knows him better than the rest of us due to being around him almost constantly, so is most comfortable near him. It puts her in the odd position of always being slightly on edge.

On this day, we were all walking back from the library after a long study session. Emile points ahead at Lucas and Zuri, and we hash out the usual theories and predictions of when/if they’ll get together. As we’re theorizing, Zuri drops the books she’s holding, her accounting papers spilling all over the pavement. The wind picks up, blowing around her equations with no care for the author. And she’s trying to catch the papers, gracefully dashing around to pick them off the pavement and blushing furiously while accepting some from strangers that have scooped them up from the air. While all this is happening Lucas hangs back, not even trying to hide his laughter, nor trying to help. Once her papers are collected again, she pins him with an accusatory look that only reignites her blush when he returns it, and smiles at her. He gets a bit closer, brushing a braid off her face and behind her ear. Leans into her and whispers something next to her pearl earring, one hand on her hip to steady her against the wind, as if she’d topple over if he wasn’t there to hold her up.

At this point, Emile, Ben, and I have paused in our walk to watch this drama play out. Zuri goes stock-still, white skirt whipping around her knees and cardigan blowing in the breeze. The books in her hand, the howling wind, even we are ignored as this boy starts to talk in her ear. The passerby chatting and leaves swirling in the air, winter chill and study-induced exhaustion are all long forgotten. And we can’t help but feel awful for her, this innocent girl who got swept up in Leto’s pretty eyes and gentle words. Because in his left hand is his phone, so conveniently facing us, and we can barely make out the image of his girlfriend’s face on the call screen. The phone vibrates for one, two seconds before he pulls back. This boy pulls away from Zuri, gives her the ‘give me a sec’ hand gesture, and walks away, putting the phone to his ear with a cheery, “Hey, babe!”

And Emile and I, we just look at her. Now standing alone in the middle of the pavement, staring after him with the most heartbreaking look on her face – eyes wide and bright, lashes fluttering in shock. Her blush is worse than ever, but instead of dancing across her cheeks and nose, seems to flush down to her neck and the tips of her ears. Her mouth is slightly open in the manner of someone who has been ripped out of a wonderful dream, glossed pink lips parted. She shakes herself, just once, and puts her poker face back on again. She turns away from him and walks back to us.

“Did you end up figuring out those chemistry problems?” Her voice was perfectly even, not a trace of sadness or anger. The blush receded, and she blinked a few times until the tears were gone from her eyes. She didn’t acknowledge that we were there to witness the whole thing, didn’t call us out or pick a fight. Just started some mundane conversation like she wanted to forget that anything ever happened.

He’s leading her on. He clearly cares a lot for his girlfriend, though Zuri always does her best to look unaffected when he mentions her. Part of me wants to plan a girl’s night out for her, bring her sweets and chocolate and alcohol until she forgets about the whole complicated, depressing situation.

But the other part of me, the mean and gossipy part, wants to sit back and watch. See if she bothers to hide her teary eyes from the room when the girlfriend next calls or goes against her nature and tries to flirt with him, though that’s unlikely. That sadistic side of me wants to see if she’ll ever give up, although something tells me that she gave up on a future with him a long time ago and is coasting off a sort of hopeless adrenaline.

She knows she’ll never get the boy, but that doesn’t mean she will ever stop hoping. Because a girl like her, sad as it is, will never stop chasing what she can’t have.

Categories
Creative Writing

Rat

by Charles FitzGerald

Desperation smells like curdled milk. A persistent, rancid odour which sits in nostrils, clings on  clothes and spreads like oil. Tessa could smell it on the rat sitting before her. He’d been trying to  chat her up for the past five minutes. 

“What college?” was the grand opener. Tessa glanced up from her pint of Kopparberg – an hour  old and lukewarm. She was a little bemused at what stared back at her. A pale-faced rat, dressed  in a tanned Schöffel, tattersall shirt and club-stained Reeboks.  

“Uh…”. Tessa’s mind went blank. She’d never spoken to a rat before. “Mildert”, she lied. 

“Fuck. Unlucky”, his underbite rattled back. He took a seat opposite Tessa, his marble eyes fixed  on hers. “I’m Hatfield”. 

“Right. Yeah, no, I’m just waiting for my friend, so…”. An age’s worth of spilt alcopops glued  Tessa to her seat. She reached for her phone. 

“What’s your name though?”, the rat inquired. Tessa couldn’t decide what was more terrifying –  being propositioned by an anthropomorphic rodent in Britain’s saddest nightclub, or having to  dust off the freshers’ week pleasantries (“what course?”, “where you from?”, “Surrey? No way!”,  et al). Before she could choose, Tessa found herself answering his question. “Tessa? I’ve literally  never heard that name before in my entire life. I’m Ollie”. He extended his paw – bearing a signet  ring and Patek Phillipe watch. Tessa shook it, shivering at the caress of his claws. “Do I smell a  Northern accent, perchance?”. 

“Uh, yeah. Liverpool”. Tessa took a long, strained blink. Some respite from Ollie’s sharp gaze. 

“Fuck’s sake, sorry to hear that,” Ollie sighed with an eerily genuine earnestness. “I mean, least  you’re fit though, right?”. He scratched his nose with his arm, leaving a snail-trail of snot across  his sleeve. “What you drinking though? Looks shit – lemme get you something. Treble?” 

“I’m alright, thank you”. Tessa attempted a carefully calibrated smile. Musn’t lead this twat on, she  mused. She glimpsed around for any sign of her housemate, Georgia, who’d been led astray by a  stranger’s promise of ketamine ten minutes before. No luck. 

“Where are your mates?” Ollie hissed across the table. “You on your own?”. 

“No”. The smell was growing too pungent. Tessa stood up. “Excuse me”. Without missing a beat,  Ollie rose from his seat. His wiry frame towered over Tessa like a palm tree in the wind.  

“Which is it, then? Mine or yours?”, he squeaked, flashing his snaggletoothed grin. “You what?”. Tessa backpedaled. 

“Well, I mean – we’re obviously gonna shag, aren’t we? Mine or yours?”, Ollie queried with a  bizarre tinge of sincerity. He reached for her hand.

“You’re fucking vile”, Tessa scoffed, slapping away his coarse paw. “Piss off”. She spun and  made a beeline for the smoking area, beads of sweat dripping down her forehead. A packed  dance-floor stood in her way – a teeming scrum of paralytic students, swaying in vague rhythm to  Sugababes’ About You Now. To her horror, Tessa could not shake the stench. It seemed to only grow more potent. 

A searing pain suddenly exploded in Tessa’s neck, hurling her down to the ground. Her head hit a  puddle of cheap spirits and lemonade, as she shrieked with agony. Tessa’s peripheral vision was  dominated by Ollie – his front teeth sunk deep into her skin, effortlessly tearing through muscle.  Her screams slowly dissipated through a fountain of blood, as her eyes fluttered up towards the  crowd. 

Through muddied vision, Tessa made out a slender figure – swaying with the music. Another rat,  his chestnut loafers a foot away from Tessa’s drained face. Passionately kissing a half-conscious  Georgia. Leisurely moving towards her neck.

Categories
Creative Writing

Metamorphosis

By Rory McAlpine

‘Insects are drawn to carcasses. They swarm above them- like the ragged form of a departing soul’.

(Excerpt from The Meaning of Metamorphosis) 

They flit from the reeds that slip above the water. They flit from the trees that huddle in forests and the wild heather- like a fallen shard of a sunset’s hue- that flares across the slopes. Forming serpentine shapes, the insects sway and plunge in movements directed by something otherworldly. They skim just above the loch, coil around branches, weave among grass. The butterflies are the most beautiful. Their wings, when the light glances off them, at just the right angle, are nature’s stained-glass windows. Light illuminates much of the insect’s beauty. It glimmers on the spider webs, and glimmers on the dragonfly wings; that come night cluster around lamps meaning their weird bodies can be closely marvelled at. Avery learnt from a young age, placing lamps outside her caravan, invites insects to cluster. One of the more unusual beauties is the sound they make. For Avery she cannot think of a piece of music that could rival the insect orchestra. 

The thrumming. It’s what she calls the collective voice of the insects. It thrums through the ground, the air. Its permeance means it often melts into the background, but if you listen for it, then it’s deafening. Avery could feel it, the thrumming, as she sat balancing the notebook open across her knees. The binding had disintegrated long ago, leaving the loose sheets of paper to be sandwiched between the covers. The scratching of her pencil itching her curiosity as she sketched- in fragile detail- a butterfly. Her pen strokes pay obsessive attention to mark even the most insignificant of details. If you turned to the front of the book, you would see the title written neatly in the middle of the page with her name printed underneath: 

The Meaning of Metamorphosis

Avery. C. Tomlinson

Insects fascinated Avery- in every way imaginable. Yet one process had become something of an obsession: metamorphosis. The process that makes a tadpole a frog, or a caterpillar a butterfly. Avery spent hours cataloguing insect behaviour, appearances, habitats, and food sources in her notebook. It was crammed with tiny spidery writing and large sketches that started off in a straight line but ended up slanted, so the writing on every page was slightly lopsided. She worked on it whenever she wasn’t cooking or cleaning. 

Completing her sketch Avery headed back up the loch to her caravan. The caravan was nestled under the cover of a few sparse trees. It had been patched up so many times nothing of the original structure remained. A wooden veranda had been constructed around the caravan with poles at either end that dangled paraffin lamps. Once inside the caravan was cluttered, with stuff covering every surface. Mainly it was paper, drawings, and small sculptures. A few pebbles, flowers, mismatching crockery. Yet by far the strangest addition was a large wooden table at the far end. A large tree branch had been suspended a few inches above the table. Hanging from this branch were twelve chrysalises. They looked ornamental hanging there. Coloured a deep jade and speckled with gold. If you watched very closely you might spot their occasional quiver as something happened inside. Sheets of paper plastered the table below them with Avery’s endless observations and drawings. Avery placed her notebook safely away and went over to examine the chrysalises, gently touching one before noting down its texture. She proceeded along the line looking for even the slightest change. Her notes already track how initially these chrysalises had been a very pale green before transitioning to this deep jade and gold. The one at the end was even beginning to show a hint of blue. 

How Avery knew something was wrong she wasn’t quite sure. Maybe it was the change in temperature when the door opened. Maybe it was a sound she had subconsciously picked up on. All she knew was suddenly she was no longer alone. Before she had a chance to react Avery felt the claw grasp her and pull her violently backwards. Snapping her neck back, her knees buckled. Taken off guard it took a few seconds for her to wrestle free and twist to face the creature. It was a blur, a flash, a stinging pain on Avery’s cheek. She saw bared teeth and matted grey fur. Gaunt and gnarled, it lurched- clawing, and spewing a guttural intonation. It scraped her face, tore at her clothes. The weight of it was light but the force of its attack knocked Avery- who stumbled, then fell. Half-blinded. Spittle flew in moist goblets- rainforest rain. It reared up, eyes devoid of anything, the rational sacrificed to instinct. Puppet to the primitive. Avery heard her fluttering breath in her ears. Screeching wings flapping… not wings, clothes? “Muriel?” The wild creature came into startling clarity as Avery lay on the ground, blood smeared and dazed. The vicar’s wife. Not some animal. Just the vicar’s wife. Muriel screeched again, that awful animalistic sound. “Satanic child” the words mangled by her hoarse throat were barely recognisable. She spat it out as if its presence burned her tongue. Avery felt something hard and blunt hit her once. Twice. “Devil spawn”. 

‘What drives the change tadpole to a frog, what alchemy delivers the winged butterfly from the slovenly caterpillar?’

(Excerpt from The Meaning of Metamorphosis) 

She learnt it through the stares in the village, from the butcher who cussed at her from his shop. From the young boys that crossed the street to avoid her, and the children dragged frantically by parents out of her path. The whispers as she passed were as loud as the screaming abuse that snapped at her heels as she ran away. She was hungry because the town would not feed her. It was as if her money was stained. 

She pieced it together, news clipping pasted over some gaps. The vicar’s daughter, sweet angel Annie, salt of the earth Annie, all the children wanna be Annie. No longer. Now dead Annie. Gone Annie. 

And no one knew how Annie died. Healthy then suddenly not. Breathing then stilled. But they did know. The creature in the woods, they said, that lived among the bugs. Whose mother made the potions and chants, communed with the dead and dealt in the dark arts. She killed church choir Annie. 

Yet none of them probably knew Avery’s mother, the women who mixed not poison healing potions from flowers, soothing lotions from leaves. A woman who praised the moon and whispered to the woods thanking them for their fruits and air and medicinal properties. A woman who was gentle, a caring soul. However, to the villagers she was the one no one could understand. And that lack of understanding bred fear. She became the cause of bumps in the night, rotting crops and diseases that bedded households. And Avery her daughter; her spawn. Avery had killed Annie. The motive was hazy, the story heavy with embellishments and interpretations picked up from fireside chats and tales to the children. All converging on: Avery killed Annie. 

Avery stopped visiting town. Before she had been reclusive, sure, daughter of a feared misunderstood mother but a girl the town would tolerate, entertain, feed. She had, if not friends, acquaintances, people she would talk to. She would sometimes sketch families, paid a pretty penny for her troubles, or bring some vegetables to sell at the market. But the Vicars wife had taken this, bathed it in the poison of her tongue. This isolation was different, it was personal, targeted with no respite. Avery was no longer Avery. She was the embodiment of sin, the devil, a bundle of peoples’ angers and fears. Hate can do that, scarily fast. Dehumanise you. You become distorted in people’s perceptions, a reflection of what they fear. The truth was a peculiar thing, it was liquid and malleable. Avery was no longer Avery. The village had chosen their truth and would see only that. Not Avery but a creature, a poison, a child killer. She had become like the fallen angel Lucifer they preached in church, a concept abstracted from her individual: an object of hate with no life or being behind it. 

She felt it for the first time that day. When she walked out of the village for the last time. The blood was beginning to congeal on her forehead, like some third eye, from where some young boys had thrown a rock at her. The rock made contact leaving her head singing and eyes slightly blurred. Blood had run down her nose and slipped into her mouth. Sharp and metallic like biting a copper penny. She felt something bloom in her gut, dark and cold that drew her stomach into knots. Something alive.

Avery had enough food stockpiled to last a few days. She had the few edible plants that grew in the nearby forest as well. She didn’t see any alternative but to hope at some point the hatred would pass. She continued observing her insects, and her pet study watching the chrysalis’s swell. She sometimes wished she was like the bee, who could change pollen into honey, to Avery this was as miraculous as turning water into wine. She considered scooping honey from the beehives when she felt very hungry. But restrained herself, she wouldn’t destroy such a beautiful creation as the hive. 

Avery had been sleeping poorly. She would awake in cold sweats from dreams where the vicar’s wife Muriel was slowly strangling her or beating her. In that moment between dreaming and waking, shadowy furniture in the darkness would morph into her leering form. 

She had been awakened by one such episode, when she heard the tinkling of glass, that sent the silence of night similarly falling to pieces around her. Creeping to her window framed by the slither where the curtains didn’t quite touch, she could see two shadowy figures. A rock hit her deck. Then her first lamp hung outside the caravan; smashed. The light died and the bugs that clustered it were engulfed by the night. Then the next lamp, then the next. She wanted to scream, to cry as the bugs fled and the lights winked out. She thought of the bugs fleeing into the night alone and separated from their families. She thought of herself sitting in darkness on the deck without their companionship. A rock sailed through her window dragging the cold and darkness of night in with it. The last light fell away shortly after. Avery lay in darkness; the insects had fled leaving her alone. She wanted to cry for now she was truly alone. In that moment it seemed her final resistance had been extinguished. As the darkness hemmed the cabin in, her head began to pound.  

It had grown and spread from that moment the vicar’s wife had knocked her to the floor. What had bloomed in her stomach had now burrowed itself into her mind. It had wrapped her spine and polluted her blood. It was something dark, primitive. Like a cuckoo egg deposited in some different bird’s nest, when the chick hatches it knocks other eggs out, killing them. Taking control, seeping in. Avery had no room, she felt herself pushed and pushed. Compressed within her mind. She was suffocating under the weight that had no form but merely a presence. Like a current in her mind. Pounding. There was no strength left to press back. Better to submit. To huddle in the corner. A fly in a puppet. No control of her limbs any longer. The thing that was left was Not Avery. Avery was before the hatred; the lamps being extinguished and the fleeing of the insects. What it was, I cannot say. I can only say very clearly what it was no longer. 

When the chrysalis is shed what emerges is unrecognisable. It has undergone such an unfathomable change so profound that it truly cannot be considered to be the same being which it formerly was.’ 

(Excerpt from The Meaning of Metamorphosis) 

When the time came, from a distance, they looked like fireflies delicately suspended over the loch. Their numbers doubled by the reflections. It looked beautiful, almost mythical. Flowers of fire charring the night like stars that had fallen and just been caught before the extinguishing water. Yet if nature had any wisdom to impart it was often the things of great beauty that are deadly. The villagers gathered around Avery’s caravan, drawn like the insects every night. Muriel faced them all. Her flaming torch she brandished overhead. “We must be driven by the Lord’s wishes. We must be just. We must forgive. We must have mercy. Yet we must also protect ourselves from the devil’s temptation. His allure to The Under. Where sinners are roasted on spits. This girl was bad from the start. It started with her mother’s potions and false gods. Her unnatural and sinful ways. Now her daughter has carried the blackened heart and taken my dear Annie.” Tears fell down Muriel’s impassive face. 

“We must end the circle of sin, end the temptation. This is not a trial. This is a rescue party. We are saviours guided by Him. We shall free this girl from her sin. She will be judged and atoned by our father. Where he will cast fitting judgement. We are merely to deliver her.” Muriel’s speech was met with pounding feet and gleaming eyes. She raised the torch above her head. “Father deliver us from evil,” she cried and with that tossed the torch through the caravan’s front door.  

As the fire unfurled its limbs inside the caravan the chrysalis on Avery’s desk began to quiver, then split. Blossoming like a flower, thin legs protruded pushing the fragile structure open, until the insects wriggled free. What crawled from the chrysalises was not the expected butterflies with wings like Picasso pieces. They were butterflies cloaked for funeral mourning. Moths with wings of aged or scorched parchment. They swirled upwards in their cloud, the eclipse of moths. Like burning paper scooped from the fire. Disappearing out the window, out of harm’s way. 

The thing that used to be Avery- that was now a Not-Avery creature- watched from the shallows of the loch as her caravan went up in flames. The eclipse of moths settled on the reeds around her. Eclipse: when one thing completely hides the other. Completely trapping the other. An unnatural eclipse had occurred within Avery. By what, it was not known. Something dark. It was moulded and fed by the villager’s hatred, driving her to attain a gleam of madness in her eye. Avery was the devil, they had proclaimed. So, she had become just that. Avery had changed. She was no longer the girl she was before. Not-Avery climbed out of the loch. Silently approached the villagers. She clasped a knife. Her eyes were dead. 

‘Once changed, it can never un-change. Metamorphosis is permanent it seems, a process where a new creature is born, one utterly changed; forever.

 (A line among the charred remains of The Meaning of Metamorphosis. 

Posthumously discovered).

Categories
Creative Writing Uncategorized

Overripe

By Muna Mir

‘You know I hated you when we first met.’ 

The confession excites me slightly. We’re walking through an overgrown field by the river. Something touches my leg. It’s grass. Everything around us is grass. Long and overgrown, too early in the season to be cut, but trying so desperately to get there that it reaches up and tickles the tender spot behind my knees. It’s grass but I swat at it anyway. I can’t remember meeting Flora. I’m walking behind her now, watching the brown tips of her hair turn golden in the sunlight. 

‘What changed?’ I ask. 

‘I’m not sure,’ she replies. 

Before we became friends I hadn’t thought that Flora had known of me at all. Tracing the inception of our friendship was one of our favourite pastimes. Neither of us could pin down quite when it had happened, less so why, only that we were happy it did. It seemed to me that one day the sun had risen and we had woken up intimately connected to one another. That was all. Our tentative colloquialisms had turned into knowing glances and we became a pair. I couldn’t imagine how it had ever been otherwise. I wouldn’t survive severance. 

But Flora must have known me before. She may not have known my name, or my favourite film, or the two colours of nail polish she now knew I kept under my sink, but she’d known me enough to hate me. A thrill rushes through me. I watch the way her hand trails the high stalks of grass. When the adrenaline ebbs, it is replaced by a warm pool in my stomach, like beer, sloshing gently. ‘I suppose we began actually speaking and then something clicked.’ 

‘I think you’re right,’ I say. But I can’t remember it happening. It feels like I should be able to remember the exact moment with sound (the signing of a contract, the clicking close of a pen), but I can’t. She stops suddenly and turns around. 

‘Sorry. That was kind of a shitty thing to say.’ 

I shake my head. It was. It doesn’t matter. 

‘You know I love you, right?’ 

I nod. Her eyebrows are furrowed and cast shadows across her eyes. 

The warmth in my stomach has grown sickly. I get this sometimes. Always with Flora. It’s greed, I think, the way my body floods with warmth every time she does something she has to apologise for. Symbolic of scales tipping in my favour. Or an indicator that I still have some chance at self-preservation. Or maybe it’s some perverse greed: happiness wrought from the knowledge that I have any ounce of power over her. It’s times like this that I think about ending things. A voice inside of me screeches that it would be impossible, but I know that isn’t true. I could do it. I could stop talking to Flora, and after a while she would fade into memory. I could work until Flora was just a combination of sounds in my head. ‘I love you too,’ I say, and I mean it. 

I think she might kiss me then but she turns back around and I’m left to stare at the gold flecks of light in her hair again. 

We’re going to a field somewhere. Somewhere pretty, I’ve been told. Flora had found it (a small copse of trees) on her own a few weeks ago. She told me that when she did all she could think of was sitting there with me. I don’t know if I believe this. I think it more likely that she found it with Eoin and doesn’t want to tell me. I don’t really care. Not in any way that matters, anyway. 

The last remnants of what could reasonably be considered a path disappeared twenty minutes ago, and if I turn around to search for where we came from the grass stretches on forever. The grass goes on forever. I can’t tell if we’re trespassing—the fields around us are untended and wild, but I can’t imagine any plot this large having the privilege of being in disuse. I don’t know how Flora is keeping track of where we are and I haven’t asked how long the walk is going to take. 

Did I want to go on a walk with her? she’d asked me the day before.

We’d been lying on her bed watching a film. 

Sure. 

I watch now as she pushes aside dry branches and prickly leaves, leaving a small trampled trench for me to walk in. Behind me the grass stitches itself back together so that it seems we were never there. I can’t tell if she really was about to kiss me or if I had just been thinking about it. Too many seconds have passed since it happened and now I can’t think of it in any clarity at all. The more I replay the split-second the more it gets worn and fuzzy, the more I deceive myself into believing what my mind wants to remember. 

I think about kissing Flora a lot. It’s happened before. For a while I thought that meant that it would have to happen again. I’m not so sure anymore. Quite often I can’t tell if I want it to or not. I suppose the answer is I do, but I can’t tell what that would mean. I’m not sure what I would want it to. Flora’s stopped to examine something in the grass by her feet. I stare at the way her hair falls over her shoulders as she bends down. A piece of it falls into her eyes and the urge to push it back twists some tender spot in my gut. It’s that realisation. The one I keep having again and again and again

It first hit me a few weeks ago. We were sitting in a booth at the Two Foxes. It was colder then, it had been raining for weeks. It was still that period of false spring where flowers are drowned instead of raised. We were celebrating something, but I can’t quite remember what. I think Flora had handed in an essay she’d been slaving over. I hadn’t seen her much lately. 

I had begun to notice that it was always like that. I’d live inside her skin for a week, then left abandoned for just as long, stuck trying to remember how to stay warm on my own. It was then, lying in my bed in the dark that I’d think about ending things. It couldn’t go on for any longer, I wouldn’t let it. But I always did. Eventually the sun would come out and Flora’s hair would turn golden and that colour would wash onto the rest of my life. Maybe that was how it was always going to be. 

But that night we were sitting in the back of the Two Foxes and it was raining out. The windows were frosted with condensation, and the table we were at, all the way at the back of the pub, was sticky. My head had already become heavy and was lolling into my hand. 

We had spent the past ten minutes laughing hysterically at something Eoin had said to her the other day. I can’t remember exactly what it was now, and even if I could it wouldn’t be half as funny. I couldn’t tell if she really liked Eoin even though they’d been going out for over two months. I still can’t. He was texting her intermittently the whole evening. It was never about anything important, none of it was particularly witty either, but I think, if anything, that’s what she likes about him. He seems to always need her for no reason at all. 

I thought about that while we were sitting there. I thought about Eoin and Flora and how long she would entertain him before she got bored. I thought about me and Flora and how long it would take before the glamour wore off and we no longer knew each other. I thought about forever sometimes, infrequently, and not there in the pub. I thought about how my memories would change if I grew alongside someone instead of away from them. 

I suppose my drink was wearing off because suddenly I could sense that I had grown estranged from the whole evening. As if in a flood of cold water, I became wary of the fact that I had begun vying for Flora’s attention. I couldn’t tell when it had happened and it was only in the gap in our conversation that I noticed how the sensation grew. It was silly, and I tried to squash it down. Eoin had just called her. This wasn’t rare. There was always a fifty-fifty chance that she would pick up the phone, or that I’d be spared the interaction. Her eyes would gloss over the caller ID swiftly before she’d turn the phone over and continue talking to me as if nothing was happening. I liked it best when she did that. It thrilled me and warmed me and made me feel special. This time she had picked up. It had been a quick call. A short

parade of words: ‘Yes,’ and ‘Of course,’ and ‘That sounds good,’ before ‘Okay, I’ll see you then. Yeah… okay bye,’ and she’d hung up. 

It wasn’t anything important. She’d apologised, made him seem like a nuisance, and apologised again. Still, some scab had been scratched, and I could feel myself unravelling. I hated that I wasn’t mad or irritated. I was bleeding desperation and if I didn’t end things soon this sickness would become visible. Her hair was falling over her face as she looked down at her phone. My stomach ached. I could feel a curtain drawing closed between us. I gulped down the remnants of my drink and mumbled about going to use the bathroom. 

I gripped the sink and turned on the faucet. For a moment I stood there and listened to the water run. I closed my eyes and then thought I might fall over and opened them once more. Letting the cold water run over my wrists, I watched my chest move in the mirror as I breathed. I have to end things, something squeaked, I don’t want to do this any longer. In the mirror I looked worn out. I pushed my hair behind my ears. My cheeks were heating up, making me look fragile and feverish. 

When I returned to the table I feigned sickness. I needed to go home, I said. We parted outside of the pub and she hugged me tight and told me she’d missed me. Sobering up in the cold, I thought about never speaking to Flora again. 

We’ve reached the grove now, a grassy patch between high fields. She sits down and squints up at me. She stretches a hand up to drag me down and I let her. There are plums growing on the trees, some unlucky fruit already scattered around our feet. Sickly sweet for a moment before they begin to rot away. Summer will be the end of it and when everything is done I will be emptied entirely. It was never going to be any different. 

She leans her head on my shoulder. In the month before summer, I think of ending things.

Categories
Creative Writing

Portrait

By Rory McAlpine

It consumes you, a dinner party such as this. You become no longer a person but an omnipresent host. You are the hands serving canopies and topping up delicate champagne flutes. You are the decorator and the entertainment; the gentle smiles and the “lovely to see you again” and “how is the family” and “how was the summer, it was France wasn’t it, where you went?” And the laughter, the flirting with the men – but tasteful – because you have a husband, and the smiling. You are even the weather. I have learned that the only way to ensure others’ happiness at these events, it seems, is one’s own deep unhappiness. But only if that unhappiness is hidden from sight. 

Henry and I had hired staff for the event, naturally. But the bodies do not matter. Still, I feel the responsibility, still the weight of everything all at once grinding me to the earth. Atlas should pity me. What is the weight of the world when I must shoulder this dreadful dinner party? 

The candles are being toyed with by the warm evening breeze, and every one that flickers I feel a flicker in my breast. They must remain lit. It would be on me if one was to extinguish. Henry had insisted on a garden party. And a lovely garden we have, gently sloping down from the house to level out towards the cliff. It is full of flower beds and old bowed trees, statues and benches and an herb garden. There are olive trees and oleander, pomegranate, and paper flowers. The colours are best at this time of year, vibrant and fully realised. Then once you reach the edge of the garden out over the cliff, is the sea. 

People are jealous because of it. They would never breathe a word of it. Yet when they come round and step out of our French windows and see the view, even if they have seen it a thousand times, I see that flash of jealousy in their eyes. It feels unfair to them that someone could possess such a view. Money cannot buy it; I imagine that is part of the problem. It is the one thing that our guests, women and the men alike (friends I suppose I should call them) are unable to have. Sure, they have beautiful views from their own homes, but it is like placing a Picasso beside the ceiling of the Sistine chapel. Both are beauty incarnate, but one is mortal, and one belongs to the realms of heaven. 

“How is Reuben?” Daphne brightens as I ask, her hands are moving like spiders across her high neck dressed in the lavender shawl and bulbous pearls that she has a habit of fiddling with. I would slap her hands away, but now that wouldn’t be proper, would it. “Oh Reuben, yes he is back for his second term at college at present. He is studying in Britain; I think I may have mentioned it; he reads Arabic. I look at the symbols and despair but my boy he just gets it. Really it is a wonderous thing to witness”. I nod my head; my neck is stiff and sore already. I sip the white wine, it is French. It sharpens me, the crisp alcohol. “Children, they do amaze us”. 

I pass our pond; it is freshly stocked with fish for the occasion. Their golden scales dart below the lily pads and lotuses, like glimmers of sunlight that have been left behind. The sky is fast darkening. Sparks leap into the air as some of the servants shovel more coal onto the large fire pits that are placed around the garden. Coal does not smoke like wood, and the pits were raised so any smoke will waft high above the guests. It would be unimaginable for smoke to mingle with the mix of perfumes, scented candles, colognes, and flowers that are being rolled together in the sea air. 

I watch my husband at the far end of the garden, over the pinkish oregano flowers beside the olive and lemon trees that we had planted only last year. They were so slender, those olive trees, they would so easily snap. Given time they would grow strong. Or alternatively; break. He is talking to someone. I cannot see her face but the short cut blonde hair and green flowing dress tight in all the right places is enough for me to know. My husband takes her hand to help her up the steps to the garden’s upper tiers. I feel my hand squeeze the glass stem and breathe deeply.
In and out. In.
It was weighing heavier now. This whole evening. The throb in my temple was worse. I answered it with another delicate sip from my delicate glass.
And out
I want sea air. I walk down through the tiers of the garden. Nodding politely, smiling. “Lovely evening, isn’t it?” I am like water, slipping unimpeded across and around stones. The stones; my guests. I reach the edge of the garden and sit on the simple wooden bench I had placed here so long ago now. I can hear the waves crashing below. In the same way rocking a baby soothes it, the sea was my mother calming me in her swell and tide.
In and out. 

The background behind me: beautiful people, beautifully dressed, in my beautiful garden. The band has begun to play, and their gentle strumming and opening notes waft down to my ears. The dying daylight casts everything in a rich honey hue. This was my beautiful life: the sophisticated parties full of lawyers and bankers and government ministers. The holidays, just a few weeks ago I had returned from St Tropez. I sat on the boards of foundations and charities; my photo appeared in the press catching me at just the right angle. I had raised three children who were polite and excelling in their respective fields. Then I had my husband, the man who held the art world in his hand, a God that could mould critics and public opinion to his will. His art hangs in galleries across Europe and the US. Reviews of his recent exhibitions never failed to allude to not only his work but his handsome face and charm. The man himself was admired in journals almost as much as his paintings. He had the world enthralled, adoration and jealousy of his life and success, culminating to create a fervent worshipping. And I had that sea view. The entire world in front of me, the sea a gateway to countries afar. What an ironic view to have from a cage. A gilded cage, with glass bars. But nonetheless, a cage. 

I didn’t know what love was when I met Henry. I thought I loved him. He was older, successful, good looking and interested in me. But it wasn’t love, I was dazzled by him, just like the rest of the world. Once we married that bright light quickly faded, and the ugly darkness was left to seep back in. There was the Henry everyone saw, the artist with the house and the powerful friends and the idyllic life. But that was just a façade. A façade I was to play my own part in. On his arms at the galas and balls I was just like his Italian suits or Swiss watches, the right accessory to make the right picture. A doting, pretty wife to hang off his arm. Henry was a celebrated artist, but his greatest painting was his own life. He had planned the composition, the shading, the elements so they looked beautiful. Makeup to mask the ugly truth. 

There were the affairs, the harem of young women that would wander half naked through my living room while I ate breakfast. In the beginning, occasionally he would welcome me back to his bed when it suited him, I would hope each time he was returning to me, but it was never for long. Then there was the drinking, he was a mean and scornful man made worse by alcohol. I was left to do everything, at his beck and call night and day, more servant than wife. He would at one point insult me, at another profess his love for me. I would often open the door to a different Henry then the one I had left. 

When we first met, I had told him I wanted to be a writer. He had encouraged me then, and read my stories. He said he knew friends in publishing, people who could help me. But our marriage changed that. He became dismissive of my work, he discouraged me from it. “Why spend your time with silly words,” he said. He had a place for me at one of his friends’ charities, somewhere I could make a real change. So, I joined these boards, but soon learned I was to be a pretty face for the press photos and nothing more, do not speak dear just smile. So, the truth of my beautiful life was that it was hollow, there was no substance to it. You wonder why I stay. Why does any prisoner stay in a locked cell? I had married a God in the eyes of the world, I had everything a woman could want, and the ancient Greeks will tell you what happens when you make an enemy of a spiteful God. They destroy you. 

I don’t know when people began to leave our party. I think some came over to thank me. I am sure all of them thanked my husband. Henry who did little more than turn up, showered with praise for months of work by his wife. I think I missed the point where I became an extension of him. I lean against the railing, it was designed by a sculptor friend, large looping curves of iron that form the wings and bodies of birds in different stages of flight. The final laughter of the guests departs the house, the fires dim and for the first time I feel the chill of the night begin to set in. 

A hand wraps around my waist.
I breath: in and out.
I can smell the alcohol on his breath, the perfume of the pretty woman in the tight dress on his jacket.
In.
Like Jekyll and Hyde, Henry is a collection of identities. An actor playing every part in the
play.
The kiss on my cheek
Out.
My husband.
In.
“Come to bed.” the words are slightly slurred.
He wanted everything. He could have everything. I was always his wife, but he could pick and choose when he deigned to act like a husband.
In and out, in, out, in.
I tear myself away. My headache echoes the thundering of my heart. I throw the delicate wine glass from my hand and watch Henry twist out the way as it shatters. “I can’t do this,” the words rip at my vocal cords, my anger is a physical thing clawing its way up my throat. “I won’t.”  

Before he can react, I continue. The floodgates are open. Maybe it’s the wine, maybe the stress. I have opened, no, smashed, Pandora’s Box.
“God, Henry, can you not see we live in an illusion?”
We stare at each other. The thread holding everything together is unwinding itself before our eyes. I see the anger cloud his eyes, but I am too riled to understand the warning signs. This night has broken me. I have been holding the pieces of me together for so long.
“And you know the problem with illusions Henry – they aren’t real.”

Henry moves across the grass; his movement is so quick my anger dissolves to fear. He is inches from me. His cigar smoke, a hand that slides over my mouth. My voice is choked. “Illusions are only false when you stop believing in them.” Henry says, his voice is quiet. The tip of his cigar flares red. “If you believe in the illusion, if you live in it. What does truth matter, it is irrelevant. The illusion becomes what is real.” 

I stare at him. He is so calm. No, not calm, dead. Dead behind the eyes. He has no emotion towards me. It would be better if he screamed, if he called me every name under the sun, rather than this. “Just think if someone owns a golden statue. That everyone treats as gold, admires as gold, buys as if gold. Well then, if the truth is that the statue is tin painted yellow. Does it really make any difference?” He tosses the stump of his cigar over the railings and the glowing spark is engulfed by the dark waters below. “No, it doesn’t. Because regardless of what the statue is made of; it is gold my dear”. 

Trust an artist to love appearances. 

His eyes are inches from mine. If this was a love story we would be poised to kiss. To the servants from the house, it most likely looked like that. But this was not a love story. 

“One doesn’t leave a man like me,” Henry says, his voice isn’t threatening, but the words are sharp as knives. “Why give up all this? Because if you leave me, make no doubt I will ruin you. The stories I will tell, the people I will talk to, the favours I will pull.” Henry takes my hand. The wedding band he still wears is icy against my skin.
“Live in the illusion darling. It really is such a beautiful one. You have the house and the children, the fancy events, the money, me as a husband. If you let it be real, then does the truth really matter?” 

My necklace. It is so heavy. The emerald that hangs from it, a dropped anchor. I cannot move, I cannot leave. I dissolve into his arms. 

Categories
Creative Writing

With Love, Frankie

By Matthew Dodd.

In a deckchair under the late afternoon sun, he sat lazily writing in a worn leather pocketbook. A pale blue linen shirt fit loosely over his torso, setting off the darker blue of his linen trousers. His deckchair stood a little off-centre on the balcony of La Porte Ouverte, one of the finer hotels that overlooked the River Loire before its destruction by a German bomber, which was to prematurely eject its load en-route to Tours at the onset of the war. This would not happen for half a decade yet; he had no notion of staying that long.

In the pocketbook he was, with a fervent energy, composing passionate declarations of love to women he’d never met nor had any intention of meeting again. By this point in the afternoon (a large antique clock over the balcony entrance informed him, and twelve other patrons, that it was twenty-six minutes past four) he had completed one hundred and twenty-five such declarations in pieces that ranged from single sentences to polemics spanning a dozen pages. The object of this practice was unclear, but it evidently engaged the man deeply: his attention had hardly left the pocketbook since lunch, save short trips to the bar to order gin rickeys. By the bank of the river, a small child reached her hand out to feed a heron which had landed a metre or so into the water, only to tumble unceremoniously into the mud before her. Nearby, her parents did not seem to notice. They were, at that moment, preoccupied with the task of cutting a few slices of brie. 

The balustrades that enclosed the balcony were ornate with various vaguely Grecian images – an all but unrecognisable figure of Perseus that was recovered from La Porte’s wreck now takes pride-of-place in a local museum – and were spaced evenly as to allow guests an ample view of the river below. A single hollow chime announced the arrival of the half hour. At this, he set the pocketbook down on the table by his deckchair and got up, setting off once more on his familiar pilgrimage to the bar. The book, whose once black covers had grown brown by continued exposure to sunlight, displayed two open pages of an impassioned message to one Miss Delilah June. It was not one of the stronger pieces in the book but nevertheless exhibited the finely tempered prose on which he prided himself. At the end of the address he had written in a delicate hand: ‘With my love, which clings to you like climbing hydrangea, Frankie Oregon.’ 

Oregon wasn’t really his name. It was only the first name that his grandfather’s father had seen when he poked his head out from the boat on which he had stolen a trip out of Manila. And so it became his name. When it came time for him to pass his name on to a son – who would in turn pass it onto another son, who would then pass it onto Frankie – the suggestion of a family name preceding Oregon had evaporated. That life in Manila, and whatever name it was attached to, had been lost. Great-Grandfather Oregon was a man of few words and had never felt his own history to be worth wasting them on, so the memory of his life had died with him. By the time that Frankie Oregon was sat on the balcony of La Porte Ouverte, working on his second gin rickey, he had no family in either Manila or Oregon as far as he knew. The few relatives that he was aware of were scattered randomly about the world, on ranches or living in sensible two-bedroomed apartments. The River Oregon had no clear mouth and Frankie hardly cared to seek one out. As far as he was concerned, all that he owed to his ancestors was the odd flower on a gravestone, if he should happen to pass it by. Beyond that, he was content to be a singular, floating person. He had drifted all over the world in this way. Europe, Africa, Asia – oceans to oceans and coasts to coasts. He had briefly stopped in both Manila and Oregon but had felt very little in either. Indeed, very few places elicited a response from him merely by the fact of his being in them. Of course, he remembered the Parthenon and the Taj Mahal and, of course, he could itemise and expound their many intricacies and resonances – he had taken courses in both history and architecture – but, excluding those, the places meant practically nothing to him. For him, there was nothing in between the lines.

While Frankie was sitting on the balcony, head poised immovably above the pocketbook, a telegram arrived at the hotel’s front desk addressed to him. It was an invitation to the wedding of his sister, Evelyn, in Syracuse. Frankie would not read this message and the paper on which it was printed would one day join the unrecognisably charred rubble that had once been this fine hotel. The concierge who was on duty at the time of the  arrival of this telegram had, most peculiarly, just received one himself. In it, he learnt that his uncle had passed away from pneumonia at his home in Nantes just last weekend. As such, the concierge, whose name was Antoine (although everyone called him Tony), abandoned his post for the first time in his decade at La Porte Ouverte and ran off in the direction of a nearby bus station.

Outside, Frankie was nearly finished with his gin rickey. The next morning, he would check out of La Porte Ouverte and take a car to Orleans where he would likely find yet another hotel, or perhaps a café, and another deckchair to sit in. For now, though, he persisted in his scribblings. Behind him, in the hotel’s quite extravagant dining hall, tonight’s dinner service was being prepared. A bearded and bespectacled old man in a gravy-stained apron was yelling directions at a fleet of young chefs who, as a rule, wore far tidier uniforms than their superior. This evening, they would be serving a Chicken Fricassee, a dish La Porte’s kitchen was renowned for, with a crab bisque for its starter. In a few hours, Frankie Oregon would take the staff up on both these dishes, as well as a Crème Brulée which he would take once more on the balcony. By all accounts, he would enjoy them. After dinner he would drink a glass of neat scotch in his room and be in bed by eleven; he might even dream. 

As the clock’s larger hand moved towards the Roman numeral V, Frankie noticed something. His pocketbook was full. By a stroke of sheer coincidence, Frankie found that upon completing a plea of gentle longing to an unattached book clerk in Somerset, he had reached the book’s exact end. There were now precisely one hundred and thirty-two full messages in the book. Without exception, they were signed by the author, although the specific nature of his closing remarks differed throughout. The final words of his last message, and by extension the whole book, were uncomplicated: ‘with love, Frankie’. If he’d known these were to be his final words, perhaps he would’ve thought of something more exciting, but he hadn’t, so he didn’t. 

Upon finishing, he closed the book and placed it in his left trouser pocket. From his right, he produced a silver cigarette case out of which he drew one white cigarette. He raised it to his lips and, with a gold lighter he’d picked up somewhere in Warsaw, lit it. After taking two drags he began to walk towards the edge of the balcony. A gentle wind blew through a poplar tree across the river. Frankie gripped the banister with one hand and gazed down at the Loire as it passed below him. With the other he took the cigarette out of his mouth and tossed it off of the balcony, aiming vaguely for a small outcrop of thrushes on the riverbank. After a few moments he reached into his left pocket and took out the pocketbook. For a matter of seconds he observed the book, turning it over once, then twice, in his hands before casting it deliberately over the banister. It spun wildly in an arc through the air, its covers splayed to give the impression of a bird fruitlessly attempting to take flight. After a journey of some seconds it landed noiselessly in the river and was borne immediately by the current downstream, where it soon passed a small girl feeding some cheese to a heron, before disappearing ultimately and irretrievably into the dark recesses of the water.

Categories
Creative Writing

How to Skim a Stone

By Tom Edgar

Gertrude: Hamlet, thou hast thy father much offended.

Hamlet: Mother, you have my father much offended.

He stands on the Thames foreshore, down beneath the Tate Modern, looking out across the river blankly. He wears a black overcoat, cut rigidly around his shoulders, and the coattails flutter up in the wind, the black satin capturing the light, alchemising his back into a temporary silver. Slowly, he bends over, scanning the beach floor, furrowing between the dusted jade of beer bottles and river-stained needles, until he finally picks up a stone. He holds it in his right hand, moving his thumb along its edge, studying it like a blind man’s vocabulary. It is soft; he is losing himself on this shore. In the stone’s cold press, some more complete past flows into his empty present. He leans, awkwardly, as if about to squat: his overcoat stretches tight against his shoulders. He draws his right arm back, the gesture pregnant with defeatism. He is going to skim a stone on the Thames. He pauses and looks out across the river — the brown swell, unmoved and unlit by a grey sky — before making a sudden jolt. He releases his arm, making the gesture of skimming, but he does not let go of the stone. Instead, he keeps it clenched in his hand, so that by the time he has followed through, it is not dashing across towards the North Bank, but is pressed up against his chest. He steps back and drops the stone. He turns to see if anyone has been watching him, before scuttling off, the briskness of his walk straightening his legs. 

It was an early afternoon in mid-August and the sky was acid-washed with an unrefined brightness that wavered between blue and grey. Today, for Adam, it looked blue — an impossible, wonderful blue. He was eight years-old and he was in his favourite place in the world: the beach, a five minute walk along the sandy footpath from Sea Cottage, where he had stayed every Summer since time immemorial. And at breakfast that morning, Toby had promised to show him how to skim a stone. 

It was a small, pebbled beach: a cove nestled between two craggy headlands. Looking out, there was a pale view of Scotland — its sullen verdure assuming an airy lightness across the thin strait of Atlantic water, its deep blue wind-tossed with the white, spitting arabesques of the waves. Looking out, Adam could see the hourly steamer headed, face-on, towards the island: a bizarre, upturned triangle, ever-expanding, with people leaning on the guard-rails and watching the island expand before them just as it had done the day before. He had stood by the rails on his tiptoes, watching the island dilate, pointing his finger and squinting his eyes, saying “Look, Mum, there’s the house,” or else, “The Beach! It’s the Beach.” It didn’t matter that his estimations were incorrect — that the pointed-to house was the wrong shape or the wrong colour, or that the indicated beach was of the whitest sand — because to Adam, Sea Cottage and the Beach were the whole island, and so, in his heart, he was right. 

A small campfire had been set up where the beach ended and met the wild grass. It was surrounded by camp chairs. Mackerel cooked on the fire in silver parcels of foil, its edges folding upwards in the heat, while fresh-picked mussels bubbled away in white wine and garlic. The adults were mostly sitting around the fire: the Bateses, the Sutherlands, and Adam’s parents, the Cromptons. Only Toby Symes was absent, despite being the nominal chef. 

David Crompton was, by now, half-asleep, a metal cup of white wine rested supine against his chest, whilst a facedown paperback straddled his thigh. His wife, Christie, was sitting next to him. Through dark sunglasses, she looked out towards the sea and Scotland, down the barrel of her aquiline nose, until she spotted her son, Adam, with Toby. They were standing by the water’s edge. Toby was leaning over, skimming a stone. She sipped on her beaker of wine, holding the rim against her face to hide a smile. She stood up and walked over to the pink, quilted beach-bag, from which she extracted a packet of cigarettes. She returned to her seat, lit a cigarette, and continued watching. 

“Bend over,” Toby said, instructing Adam. “Find the smoothest pebble you can possibly find. It must be perfect, like this.” Having chosen one, Toby exhibited it in Adam’s eye-line, holding it between thumb and middle-finger. “Not too big, you see. Otherwise it’ll go plop and sink right down to where the fishes swim and the crabs scuttle and the dainty oysters recline with their innards of pearl. And then,” he leaned over to his right, planting his left foot forwards, and drew back the pebble-bearing arm, “you throw it like this. Watch.” The stone dashed loose of Toby’s grip and skated across the sea, all the way, Adam thought, to the mainland. “Now, Adam, you try.”

Adam smiled. Easy, he thought. He looked down at the beach: half-scanning for a stone, half-imagining that same stone hurtling over the waves, all the way to Scotland and beyond. Dreaming, he became that stone, kissing the water’s surface with all his body, flying safely over the deep, the cold salt wind turning his face numb and red and warm. He crouched, allowing his brittle white hands to brush over the pebbles. He found one. It was smooth and dark grey with white and amber rings. He stroked it, imagining its soft and weightless flight. Adam’s father had only ever shown him dead rocks — fossils, the embalmed mummies of unknowable prehistory — but here, now, were the living rocks, which soar weightlessly at the imperative of a human hand. “Now, remember,” Toby said. “Left foot forwards, lean to your right. And then, let it fly away.”

“Yes,” Adam replied. “I will, I will.” But his excitement muddled his concentration, and as he leaned into his position and began to throw, he wobbled, his foot faltering forwards, and he overthrew it. It was as if the pebble was so dear to him that his hand had refused to release it. It careered off to the left and, at first contact with the cruel and dark sea, it sank — down, down, to where the fishes swim and … The Mainland seemed so far away, an evasive, unreachable world. 

“Don’t worry, Adam.” Toby placed his large, veiny hand on Adam’s back. It felt warm. “You know, I couldn’t do it until I was about thirteen.”

Adam laughed. “Huh! Really? That’s so funny.” 

“Yes. Well, keep trying. It’ll work eventually.” Toby turned to look at the campfire. “Right, I best be off. Your father’s fallen asleep on duty.” He walked a few strides before breaking into an easy jog: a sudden gust of wind blew and changed the direction of the campfire smoke, enveloping Toby for a moment. Adam was smiling: the sort of smile which knows the world is simple and that there is nothing more to it than whether or not a stone sinks or swims, or whether you sit on your mother’s left or right knee. And although his stone had sunk, Toby’s had sunk once too, so it was really only a matter of time. He saw his mother looking over towards him and smiled even more. But as she lifted her sunglasses, resting them on her hairline, Adam noticed Toby, now halfway across the beach, moving with slow, athletic grace, his bare torso warmed by the sun. 

Adam turned back to the sea. He picked up another pebble, Toby’s earlier words echoing in his head, and he tried to throw it. Again, it careered off to the left and sank on its first contact with the sea. The other children, nine of them altogether, had been playing aimlessly about the beach and, seeing Adam’s latest failure, began to laugh. “Look at Adam! It’s not that hard.” But Adam was smiling, that big and certain smile, because Toby had said he’d be able to do it eventually and Toby knew so much more than all the children. 

Mussels gaped in the pot. The air was drunk from the hot wine simmering. Toby rattled the large pot a few times before removing it from the fire, placing it on a small trestle table, next to the mackerel on its foil platter, the edges of which lifted at the wind’s slightest intimations. They had caught the fish that morning. There hadn’t been space for Adam, the youngest of all the children, to go fishing. Instead, he had been assigned the task of harvesting mussels, severing them from their bed of rock and rubbing away the moss and grit and hair with his fingernails and tepid water. But it had been lovely, since he had been with his mother. Hector, the Sutherlands’ youngest, had joined them. He was one year older than Adam and he was cruel — the crude relish on his face as he tore mussel from rock, the way his tongue pressed his upper lip when he smiled. But Adam had his mother, and that was enough. He would skip and sprint about, an inefficient harvester, before circling back to his mother to hold her hand. “Mummy, Mummy — you have to see this. There’s a crab.” To each of his enthusiastic discoveries, she responded with a stiff, aristocratic smile, the knowing parsedness of which suggested a quiet condescension. “Oh, how wonderful,” she would say, with a detached but loving irony, before giving him a gentle pat on the back. “You are clever, Adam. Go on. Let’s see.” Then she would draw a cigarette from her pocket and follow him, smoking, with one hand in her coat pocket.

“Are you all ready for some food?” Toby announced, in part to the adults, but with the gentle inflection of his tone directed towards the adoring troop of children. 

“Yes.”

“I’m starving.”

“Mmm. Smells so good.”

David awoke to the gleeful chorus. Startled into life, his sudden jolt unsettled the beaker of wine which had been resting on his tummy, and the liquid splashed onto his blue linen shirt. “Bugger,” he said, before fumbling into a stentorian laugh. He peeled the paperback off his lap, turned the corner of the page, and stood up. Christie looked at him, half in disgust, and rolled her eyes. She stood up and moved towards the spread of food. “Toby, it looks wonderful. You do spoil us. Thank you.” 

Behind the beach, there was a patch of shorter grass on which the children had set up a cricket pitch. The two oldest children — Adam’s brothers, Henry and John — were, respectively, batsman and bowler. Everyone else hung about the makeshift wicket like satellites, doting on the every move of the older two, eager to impress them whilst masking their frustration at their own lack of inclusion. John would bowl, not very effectively, and Henry would hit the ball down to the beach, and then the fielder closest would bruise their bare feet by running over the pebbles and the dry, tumorous kelp, whose bubbles snapped on their feet. Or else, if the ball was hit in the other direction, into the bracken, they would get on their knees and crawl through the damp, tick-laden crop in vain pursuit of a surely lost wind ball. All the while, Henry and John screamed: “Hurry up.”

Adam had been placed at Fine Leg. He was the youngest, and so, inevitably, had the least right to be included in the match. Rarely would a ball be hit towards him. But he was happy with this — dawdling away, his eyes wandered about as his mind flew off about the landscape, up the heather-blushed slopes and the wind-curled sea. Even still, he could only think of one thing: skimming stones. He was sure he’d be able to do it now, if only he could practise. But he couldn’t: on a group holiday, he must play with the group, even if the group didn’t much care about playing with him. He felt like an outsider here. His brothers, so kind and considerate at home, adopted a cruel, teasing attitude towards him in front of their extrafamilial disciples. And so all the other children behaved like that to him. Especially Hector — Hector, who just last summer, had been his best friend. 

He looked towards the beach. Toby and his mother were standing near the water’s edge, close together. They were talking, her face turned up towards his greater height. The tide was coming in quickly. If only he could be over there, with Toby and with his mother, skimming stones, and they’d both be so proud of him. But he was standing here, the short wild grass itching his feet, awaiting the ball which would never come, only so that he could fumble it and misthrow it and get shouted at by his brothers. His mother was smoking: wisps of cigarette smoke, blue against the sea and view of Scotland. She tossed it to the floor and then they both started to walk back. 

“ADAM!” Shouts. He paused, confused. What? He thought. He looked about, briefly, puzzled, until he saw a dot of orange expanding faster and faster and coming straight towards him. He couldn’t quite register what was happening. By the time he was raising his hands to his face, it was too late. The ball hit his nose; its worn-out seam imprinting itself on his skin and he fell to the floor. 

“Adam,” John shouted, irritated at the dropped catch. “You spaz”. He could hear Hector and a few others laughing. 

He stood up and limply threw the ball towards the wicket-keeper. It bounced a few times, landing a few metres wide of its destination. His nose felt even more painful when he thought about his brothers’ mistreatment of him. He ran off. 

“Mummy, mummy.” He shouted as he ran towards her. 

“Oh, Adam. What is it?” Her and Toby had almost returned to the campfire.

“My face. Henry hit it.”

“Henry hit you?”

“Yes. He hit me with a cricket ball.” 

“Oh darling. That must be so painful. Come here.” She pulled him tightly against her, tucking his head into her arms. But the sympathy increased his pain and so he cried more. 

“Now, let me look at your face.” Adam turned his face upwards so that she could see it. Placing her hands on his small face, with her thumbs she wiped away each tear as it sprouted. “Well, I think we should take you back up to the cottage.”

“Okay Mummy, okay.” 

After she had pressed an ice-pack to his face and nourished him with Hot Chocolate, Adam had moved through to the TV room, where eventually he was joined by the other children. John and Henry decided to put on an episode of South Park, with the volume turned down so the adults wouldn’t hear. Adam kept looking out the window towards the sea: a sort of liquid silver, now, in the cloud-broken light, its faint, metallic ripples calling him down. He thought about tomorrow: that was when he’d finally do it. But why couldn’t he do it now? He could slip away, unnoticed, and practice. The adults were resting, and the children were watching TV. He could say he’d been reading in some quiet, undisturbed corner of the house. His mother, perhaps, would come looking for him. If she discovered he’d gone to the beach on his own, she’d be furious. But she’d come around: besides, what was her anger compared to the proud exhilaration of a skimming stone? He would go to the beach. 

It was quiet down there, other than the rumble of the wind buffeting against the headland, and the waves lapping: small, sympathetic ones, noisy only due to the impatient speed with which the sea dispatched them. Since most of the beach was visible from Sea Cottage, he walked to the far end where he’d be invisible. He had an hour, he reckoned, until supper. 

He turned over Toby’s words. The smoothest pebble; Perfect, like this; You throw it like this! He shut his eyes, remembering Toby’s graceful movements: the subtle rightwards lean, the left foot striding forwards, the arm stretched backwards, pregnant with energy. Eyes closed, he mimicked these actions, over-and-over, without holding or throwing one. He opened his eyes and picked up a stone. He threw it, and did so again-and-again, for about twenty minutes or so until the smooth mosaic of the beach conjured a smooth, lopsided, if ovular pebble: a concrete grey, with one vague amber ring and two white spots on the upside of its thinner end. It felt strange in his hand, inosculating with his palm: like two continents pieced together after millennia of drift, two lovers whose curves and inclines met each other’s with a casted precision. He leaned into the throw, releasing it, and then, it skimmed. The pebble leaped up in a spray of white, then curved to the left and bounced a few more times before plunging into the sea on its fourth bounce. He had done it. How was he going to not tell anyone about it? He’d have to wait until tomorrow and then he could show them all. He tried once again for good measure: again, it skimmed. 

He set off back to the house along the path. He imagined the pebble now: yes, it hadn’t quite gone all the way to the mainland, but had gone quite far. Five bounces: and where would it be now? Fish gliding over it, enthroned amongst the scallops and the oysters: a diamond encrusted on the ocean floor. 

He heard a twig snap. Quick breaths; low murmurs. It grew louder, now, as he acclimatised to reality. His heartbeat dropped a little. It was coming from about ten metres away, just off the path. He followed it, creeping slowly through a small pathway of trampled bracken, almost ferric and rusted on its ends, feeling wet and itchy on his uncovered calves. There was a clearing. He looked up at the tree: its late August canopy of etiolating leaves jostled in the wind. There was a stream next to it; the stream moaned and murmured as it rushed quickly over the rocks in white bursts. It grew louder. There were two figures, trembling on the floor, flickering in the dusk: one white and the other darker. Adam’s mother tilted her head to her side, noticing him, and raised one finger to her lips to quieten him. Toby, eyes closed, maintained his course, skating away across the high seas to Scotland. 

The next day Adam went to the beach, but his throw was limp, and the stone sunk, and the other children laughed at him. 

Categories
Creative Writing

Haar

 

Haar: a cold sea fog, (colloquial Scottish). 

Because no one can see what happens, happens among the Haar.  

You find yourself along the coastline of Fife on the eastern edge of Scotland. The sea is rough and  churching that night, thrashing, and swirling, dragging its claws along the rocks of the shoreline. Out  here the sea is protector, is enemy and is sovereign. You do not question it; you cannot fight it. Any ship or person caught in the pull of its current, among the landscape of its waves, at its mercy, will testify you never, ever, win against the sea… 

– 

The Haar rolled in the following morning. It built over the water, a brewing storm. Then like a  spectral reflection of the sea it came crashing onto the shore, beckoned by the waves to climb across  the dunes and up into the village. A place the sea could not reach. Splitting into tentacles it funnelled down the corridors of the village peering in windows and leaning against doors. It jumped across the  rooftops and lingered down alleys. It settled across the entire village filtering the sunlight to a pallid  glow as weak as a dying candle. And not just the light, sound was forced to labour slower through its  layers. The Haar had dressed the village by the time the sun had fully risen (not that it could be seen  now), it was an elaborate white shroud, a sprawling wedding dress. As people left their houses come  morning they struggled through it, cars inching uncertainly, people searching for landmarks or signs  that they had taken for granted before – suddenly at a loss as to how to get to the grocers, or to the butchers, or to their dear friend Katherine Mackie’s.  

Across the sea and on the beach, it settles the thickest. It was there Oliver found himself not sure  which direction to go. He also was not sure if he stood still, he would ever find him. Direction had  become meaningless, if he was walking in circles he had no way to know. He stumbled into the sea  and turned back to search for higher ground. The sand was shifting underfoot. Nothing felt solid.  Where even was up (was there?) when faced with no sky. There was always haars here, especially in  the summer here but rarely one so thick. 

“Ollie,” the voice was intimately close. Then he was beside him. “Ollie!” Archie appeared through a  doorway in the fog, he pulled Oliver into him crushing him against the fabric of his coat. “Let me  breathe”, Oliver protested squirming until Archie lessened his embrace slightly. Their eyes met, then  their lips. They kissed gently and Archie drew Oliver to him. Amidst the chill of the fog, they caught  a flicker of warmth between them, like nursing a flame.  

Sand in their hair, slipping down their shirts, crackling in their mouths. Archie shook it out of his hair  as they lay together panting. “Stop”, Oliver protested laughing as more sand fell on him. He poked  Archie in the ribs sending him rolling away with squeals of laughter. “Right” Archie said, his smile split every corner of his face as he jumped on top of Oliver who squirmed and wheezed with laughter  as Archie pinned him to the beach. The haar swirled around, creating a world with them alone in it.  

Everything else had fallen away into the whiteness.  


Because no one can see what happens, happens among the haar.  

Oliver rested his head on Archies chest. He listened to his breathing rising and falling in time to the  waves crashing nearby. “Are you cold”? Archie asked. He did not need an answer. He could feel  Oliver shivering. Archie fumbled to pull of his coat off and draped it over them both. “Better”?  “Better”, Oliver said burrowing in. Archie stroked his hair; Oliver was heavy on his chest, but he did  not mind. 

They lay like that for some time. Two explorers resting during a long expedition through a foreign  landscape. Oliver traced a hand up Archie’s neck and along his jawline. “I wish it did not have to be  like this. Only meeting like this.” Archie sighed he got up on his elbows causing Oliver to slip down  to his stomach. “I know, but not for much longer. Once we finish school we can leave here. We can  go far away.” 


Oliver said “we can be together there? Properly I mean?”. 


Archie smiled and kissed him on the cheek, throwing an arm around Oliver to pull him up to his face. 


 “Yes,” Archie said “here people don’t understand, but there is a whole world out there that is not  here.”


“What will it be like?” 


Archie, stroking Oliver’s hair, began: “We can go to Edinburgh, or Glasgow, Manchester or London even. A really big city. You will study English because you love it; I will do Geography or  Philosophy or something. We will get separate places to begin with because we might have different  friends. But we can go over to each other’s and see each other every morning. We will stay the night  together of course. I can take you to the film house, the theatre, we can go for walks and coffees  together. We can hold hands Ollie, and I can kiss you and we will not have to worry. And we can  dance Ollie, I have heard that people dance into the early morning in these places.” Oliver closed his  eyes as Archie’s words moved like brush strokes painting a picture before his eyes. A watercolour of  what was to come.  


“But for now, we can only meet like this Ollie. In the haar. For no one can see us then. It’s our secret.  A secret that will be swept out with the haar, out onto the waves to the horizon, and over the edge of  the world. Only the sea knows Ollie, and it sends the haar to let us have this.”  Oliver met Archie’s eyes; they were so close their breaths mingled. He could feel Archie shift beneath  him. His hands push under his shirt.  

He wished they could always be like this. Together. Oliver tilted his head back, Archie leant forward.  

“I love you”.  

– 

Who knows what happens when the haar floods in? When society’s eyes are blinded by fog?  

What unhindered people do show? 

The love that can be allowed to grow. 

When no one is watching. 

Because no one can see what happens,  

happens among the Haar.

Categories
Creative Writing

On Advent’s Eve

On Advent’s Eve

By Ed Bayliss

Time enough has passed, 

For my eyes and ears to cool,

For my willing hands to pick a pen

Whose nib begins to drool.

Here, at Advent’s eve, I’ll write

As moon’s relief comes fast,

As sky’s now purple underbelly

Purges itself at last.

Picture this, a man and maid

Who bears an unborn child,

Her arms, ribbons which wrap around

The bent-backed infant mild.

Her small one seems just the same,

Shovelled into time’s wide span,

Into small rooms with strange people,

No architect has drawn this plan. 

The man wraps his lips round a hunk of bread

Held in cement solid hands,

His ears tangled in knots of brass,

Deaf to the grind of shifting sands.

His words begin as a lump in the throat,

Unstuck by wine alone

As he drinks deep to charge his throat

Which speaks things cold as stone.  

 

Alas, his thoughts have leapt into

The flaming crucible of doubt,

No child of his, he knew slept in

His maid’s soft curving pouch.

Her soul is thin as a sheepskin drum,

Has been played to a sickly tune,

Which has jarred against nature’s chime

Like snowfall blanketing June.

An odour of corruption

Creeps through his nostrils flared

And shallow lakes of steam pool

Round his crazed eyes made unpaired.

Now all he sees of his maid is this:

Gross breasts juggling across a chest

And off her bare sloped shoulder 

Trickle all offices of love’s test.

The maid all full and swelling,

Too full, too full, he thinks,

In her, some big block building

Writ large in thick black ink,

He’ll arrive soon now from slumber,

And arise in time to come,

Time wakes with him in a damp green churchyard 

Like milk teeth from a new-born’s gum.

Still, the man wears no face,

Only sadness is upon him,

The monkey on his back laughs loud,

And beats his red ribbed skin.

He handles her hair but feels only straw

Sprouting from an eggshell head,

Her skin’s a tundra wasteland

And her words are thin as thread.

She speaks in brush strokes,

Of high him and seeds forever,

Even three in ones

And much about whatevers.

Where he talks brass sheets,

Bent around the baby’s base,

In a world, a peopled desert,

Where women once were chaste.

But while most of us sleep deep

Behind eyelids and wrinkled sheets,

He lies before something else,

A place of mansion filled streets.

The truth is that within this street,

High up above earth’s edge,

The man, he hears a voice slip 

From a whitewashed window ledge.

It says: Have you seen her?

The maid with painted lips,

The one you ‘see’ through rippled water

With her hands cupped to her hips.

For good and right stand on her side,

Her child’s life is drawn and planned,

His words will scrape many men’s ear.

A king’s lot: to do good and be damned.

He wakes with awe sponsored eyebrows,

And washes the night from his face.

A leafless tree watches on, expecting,

Glimpsing all of man’s race

Below breathless skies, as though

Speaking song or singing speech.

Not until the tree has gone,

Will we of its ways teach. 

A shivering horse’s steaming breath

Columns towards the sun,

It’s blinkers hang on fenceposts

Far beyond the reach of anyone. 

I see. He sees –