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Art

Orlando Bayliss

I am a first year history student at Durham. From a young age I have loved to draw and paint; capturing the human form, particularly in portraiture, has been my main interest. 

My work is mainly inspired by 19th and 20th century realists like Sargent, Zorn and Freud. I am in awe of their ability to capture the sitter with what appears to be such effortless (but in reality, painstaking) brushwork. By attempting to replicate their respective approaches I am able to learn and improve enormously. I am fascinated by the deeply personal aspect of portraiture which allows one to capture an individual in a way that no photograph can; the hope of achieving this makes me want to keep improving.

After leaving school, I wanted to focus on more classical methods like drawing from life and using limited colour pallets for my paintings. During my gap year, I studied on a short course with the Edinburgh Atelier of Fine Art which helped to formally become familiar some of these techniques.

Categories
Art

Zoe Woolland

Emily Hough

In the last few years of painting, I’ve definitely leant towards painting portraits. The more you paint faces the more you learn about proportions and how the features of the face are structured. I looked towards painting on rougher surfaces with oil paints because the process can be a lot more fun and playful. Some of my previous pieces have been done on cardboard and even metal, adding creative textures to the work. Oil paint is typically what I’ve loved to use, especially when doing portraits because it allows real accuracy of tone and shadow. A lot of my inspiration is taken from phases of Covid, including a lot of imagery of mask wearing. In the future I’m hoping to create more colourful, brighter pieces and maybe giving landscapes a go!

Categories
Art

Sophie Holcroft

Sophie Holcroft

I am a third-year student studying Liberal Arts. I am interested in finding beauty in decay – the period of time after something has gone past its ‘use-by-date,’ both with people and nature. A common theme throughout my work is dried-out artichokes; when they decayed, the leaves turned silver, and I found beauty in this and the possibility of them being perceived as desirable again. I am also fascinated by traditional and contemporary ‘memento mori’ symbols and adopted the message they hold but also flipped it on its head by focusing on rebirth and rejuvenation. I enjoy photography, oil painting, etching, and having a 3D element to my work.