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Perspective

Inside Fight Night: What Does it Really Take? 

By Emily Mahoney.

Fight Night is a night organised by Wilder Events to raise money for their charities (BlOKes UK and SolidariTEE), promising 20 students competing in boxing matches, with each match consisting of 3 rounds that last 2 minutes. I am sure many of us have heard of it, but the big question remains, who is brave enough to sign up and fight? I sat down and interviewed my flatmate, Maddie ‘The Baddie’ Clark, who is taking part, to find out a bit more about the inner workings of Fight Night. What does it really take to embrace this commitment that is equal parts terrifying and exhilarating? 

Maddie tells me that she signed up as a challenge, stepping outside of her comfort zone to push herself both physically and mentally. She explains that ‘it has been really challenging, but in the best way possible, and it is for such amazing causes too!’, going on to talk about the incredible charities that the proceeds of Fight Night are contributing to. Maddie explained that Fight Night perfectly encapsulates two of the things most important to her, fitness and charity. The first charity, BlOKes Uk provides a free ‘online other community’ for men to share their experiences with mental illness, allowing them to meet and talk to men ‘from all walks of life’, ultimately challenging the narrative that men should bottle up their thoughts and feelings. The second, SolidariTEE, is a charity led ‘by students and young people, standing against the injustices faced by refugees, and supporting NGOs working directly with those affected by forced displacement’. 

I was intrigued to know about the training process, which Maddie summed up in three words, punctuated by her signature cackle; ‘Really. Bloody. Hard’. Despite this, she says that in the hour-long training (which happens 4-5 times a week) they ‘push you really hard, and I am really enjoying it, despite the skipping- which I hated at the beginning!’ Ultimately, she articulates that it is immensely ‘empowering to see the progress that everyone is making’. We spoke at length about the mental health benefits of boxing as a whole, and Maddie strongly believes that it is so positive for her routine and her mental clarity, alongside the obvious physical benefits. She explains that ‘it is such an incredible way to get all your anger out for that hour, it is just so cathartic! It fosters this real sense of mindfulness, if you’re having a bad day when you enter that boxing ring everything goes out the window and all you can focus on is the person in front of you’. 

Despite her love for acting and being up on stage, even Maddie is still incredibly nervous for the fight, both due to her admiration of her opponent and the size of the audience but she continues to create a positive mindset and reminds herself that she has ‘put in the hard work for it’ as well as to ‘enjoy it and enjoy the process’, but she still ‘would like to come back home without a broken nose!’.

She continually sings the praises of the team at Go The Distance- Durham Community Boxing Club, which is a charity itself, set up to support people who have gone through domestic violence and abuse, and more generally for mental wellbeing as a whole. Maddie says that the support of the coaches is getting her through the training process, alongside the sense of community that has developed between the boxers. Speaking of this community she says that ‘everyone is really supportive during sparring and it is such a nice group. Is quite hard with boxing because everyone wants to train as hard as they can and essentially win, so you’re in your own mental headspace but that support is still there for each other because everyone knows how tough it really is’. Despite her parents being apprehensive at first, after explaining the training process her whole family is excited and supportive, with her brother trekking up to Durham from Marlow to show his support ringside, and she has promised her mum ‘for you I won’t get punched in the face!’. 

When asked if she would recommend signing up to Fight Night she said ‘it’s been an amazing experience in terms of boxing, everyone should get into it at some point! It has been so good for my physical and mental health’. Maddie suggested that Aggression Sessions is also a good alternative for people who want to get involved with boxing for a cause, training is over a longer period, as the hectic rush of 6 weeks of training can be quite intense for some! 

In summary, Maddie says ‘I am as ready as I’ll ever be, I have made some great friends and ultimately, I feel stronger and more empowered than I ever have before’.

Categories
Perspective

Trashion: Rethink. Repurpose. Raise Awareness.

By Emily Mahoney.

The first question I had when approaching the Trashion team was, what is Trashion? Having seen the sleek, yet somewhat cryptic Instagram page, I was enthralled. I knew I needed to find out more about this new initiative. Shirley Chu, the co-president of Trashion, explained to me that Trashion is part of Enactus, a social enterprise situated in universities across the world which funds students to create products that generate real sustainable progress for themselves and the communities they are in.  

Now how does Trashion fit into this organisation? Shirley informed me that Trashion is one of Enactus’ commercial projects, and the money that they raise from their events goes on to fund other important Enactus projects in Durham, such as Taka Taka Zero, the Ugly Fruit Group and Glow Cycle. In this way, the Trashion team can fund and help other charitable endeavours, alongside their own goals of raising awareness around sustainability. Shirley makes it clear that their main goal is to, ‘shed light on the polluting effects of the fashion industry and help the next generation of changemakers find a new mindset’.

Kate Kellow, their creative director, explains how they are planning to hold a static fashion presentation which displays upcycled garments made from waste material and fabrics. These pieces would be designed and crafted, by hand, by Durham students such as Kate herself. She tells me that she even repurposes and upcycles her own clothes in her spare time, and that she is thrilled to be able to use her love for sewing in such a meaningful way. Alongside this event they will be holding sewing workshops (all abilities welcome) and litter picking, as well as running collaborations with various climate and sustainable societies. When asked how she would approach shopping sustainably, Kate told me, ‘the best thing to do would be to look in charity shops, on Depop, Thrifted or Vinted for what you want first before buying it from Zara, because you could find something nicer and cheaper that will last you longer’, and, ‘ignore trend cycles, buy good quality pieces that you will re-wear again and again’. Her favourite recommendation is Second Hand Soph, a website full of second-hand clothing that has grown from a Depop page.

Eva Sayers, Trashion’s Marketing Executive, discussed some of the reasons why she feels that Trashion fills a hole in Durham; ‘There’s a lack of funding for creative outlets in Durham, the university is generally sports-dominated with less of an importance placed on the arts and there are plenty of people who want to be creative directors, fashion and graphic designers etc., but they need a project they can engage with and express their creativity in, and I believe that Trashion can be that project’. She tells me that they are going to have specific Trashion bins in the library and TLC, with the rubbish that students contribute being used to create the garments for the exhibition. Eva thinks that, ‘if people have their cans, they should put them in the sustainable Trashion bin, and then eventually, [they can] see their rubbish in the clothing at the exhibition’, and know that, ‘they have contributed which shows the process,’ that goes beyond, ‘just putting it in the bin and not seeing or thinking about where it goes’. This definitely sparks a thought-provoking conversation about our own, ‘Trash’, and where the things that we put in the bin eventually end up. I am incredibly excited to see the final pieces.

One important thing that shone through to me about Trashion is the lack of judgement. They are aware that not all students can afford to purchase clothing from small sustainable businesses and have an extremely healthy perspective on it. Often sustainability can be pricey, as buying handmade or sustainable things is undoubtedly more expensive than the newest drop-shipped top from SHEIN. Although Kate tells me that, ‘however small it starts, seeing your own contribution to sustainability is incredibly important.’

This new and growing team have so many inspiring ideas for both raising awareness for sustainability and raising funds for other incredible Durham based projects. The Trashion team are looking for creative people who want to get involved with design and making garments, but there are roles for both creatives and more logistical people. This cause is so incredibly important and Trashion’s emphasis on teamwork, (which can be observed through the way that their team works so cohesively together), speaks volumes for the future success of their endeavour.

Watch this space and follow them on Instagram to hear more about this incredible project.

Categories
Culture

The Revival of Japanese City Pop

By Emily Mahoney.

Years ago, on one of my 4-hour voyages through the black hole of Spotify’s recommended for you section, I stumbled across an artist called Taeko Ohnuki, a Japanese pop singer and songwriter from the 70s. Her song じゃじゃ馬娘 (Jajauma Musume), the first track on her 1978 album Mignonne, stirred a peculiar curiosity within me that I had not felt for quite some time. I immediately knew that whatever genre of music this track belonged to, I was in. Despite not speaking a single word of Japanese and, subsequently, not having a clue what she was singing about, the rise and fall of her soaring vocals, accompanied by the funky synth and an incredible guitar solo, created such an intense feeling of nostalgia within me, nostalgia for an era in which I was not even conceived.

Hooked on the distinct feeling that her record gave me of intense melancholy, coupled with wanting to dance my arse off, I searched for more, coming across a plethora of Japanese songs from the 80s categorised as ‘City Pop’. I came to discover that this music was the soundtrack to Japan’s economic boom in the 1980s, and was somewhat influenced by American rock, soul and R&B, perhaps why it seemed so unheard yet so familiar. The genre as a whole gave me the feeling of glimpsing through a window into the past, with many of the songs energies seemingly capturing the atmosphere of the 80s, the synthy and upbeat instrumentals creating the perfect backdrop to a good boogie.

Despite my propensity for a good dance, what I found the most enthralling about City Pop were the melancholy undertones that seem to lurk in the background of every track, creeping through the discography that I poured over and giving the tracks dimension. Underlying emotions of heartache seemed to seep through hidden cracks in each song, itching a part of my brain that I didn’t know existed. The juxtaposition between the catchy hooks and cheery sounds and the lyrics that speak of regret, lost love and gloom help to create that sense of nostalgia, and within me, summon the feeling of looking back at time passed and love lost.

This is perhaps why Tomoko Aran’s 1983 hit Midnight Pretenders pairs so well with the toxic and regretful lyricism of The Weekend’s discography today, particularly on his 2022 album Dawn FM, in which his track Out of Time samples the song. In the chorus and it’s repeating phrase ‘Say I love you girl, but I’m out of time’ The Weekend’s dreamy tenor, both distinct and versatile, seamlessly intertwines with arguably two of the most important elements of City Pop, the melancholy lyrics and the groovy, nostalgic instrumental. The Weekend’s undeniably incredible vocal performance makes the song an instant hit, shining a light on the genre of the sample.

Overwhelmingly, however, the topic of the song interlaces perfectly with the melancholy sentiment of many Japanese City Pop songs. The Weekend proclaims his yearning to rekindle a relationship, despite the fact that he knows his efforts are meaningless and that he must accept that he is ‘Out of Time’ to show her his love. Patrick St Michel, a Japan-based music writer asserted that Out of Time, is “the most mainstream example of any older Japanese music being introduced to a wider audience”, and I am thrilled that people all over the globe have been able to experience the same mind-melting groove that gave me chills back in 2019.